Something Rotten (complete show)
Listen...
- Welcome To The Renaissance (opening)
-
- Welcome To The Renaissance (ending)
- God I Hate Shakespeare (opening)
- God I Hate Shakespeare (ending)
- Right Hand Man (opening)
- Right Hand Man (ending)
- A Musical (opening)
- A Musical (ending)
- The Black Death (opening)
- The Black Death (ending)
- I Love The Way (opening)
- I Love The Way (ending)
- Will Power (opening)
- Will Power (ending)
- Bottom's Gonna Be On Top (opening)
- Bottom's Gonna Be On Top (ending)
- Hard To Be The Bard (opening)
- Hard To Be The Bard (ending)
- To Thine Own Self (opening)
- To Thine Own Self (ending)
- Right Hand Man reprise (opening)
- Right Hand Man reprise (ending)
- Make An Omelette (opening)
- Make An Omelette (ending)
- To Thine Own Self reprise (opening)
- To Thine Own Self reprise (ending)
- Welcome To America (opening)
- Welcome To America (ending)
Contact us to request it.
Info...
Product typeMP3 backing track
Composer Kirkpatrick
From Something Rotten
Based on MTI stage score
Length 72:00
Latest version October 30th, 2023
Buy...
Notes: Download our professional backing tracks for the musical comedy Something Rotten featuring music by Wayne & Karey Kirkpatrick.
This is the complete set of backing tracks for the show, comprising over 40 tracks, all instrumentals such as scene changes, underscores and playoffs and popular numbers Make An Omelette, Welcome To The Renaissance and A Musical.
Our tracks follow the MTI stage score, and the original Broadway cast recording for tempo where relevant.
A full additional set of tracks are provided with melody guides at no extra charge.
Can we use your Complete Show tracks for rehearsals and performances?
Our Complete Show tracks are intended solely for rehearsal purposes. We do not grant, nor imply, a performance licence with the purchase of our Complete Show tracks. Customers must always obtain a separate performance licence from the relevant rights holders. Our Complete Show backing tracks are particularly valuable for amateur groups who lack the budget for, or access to, a rehearsal pianist.
Genres | Default Category, Stage & Screen, Main Catalog |
---|---|
Date track originally produced | 30 Oct 2023 |
From | Something Rotten |
Based on | MTI stage score |
Composer | Kirkpatrick |
Instrumentation | Pit Orchestra |
Ideal For... | Ensemble |
Length | 72:00 |
Product type | MP3 backing track |
Score # | Title | Instrumental? | Length | Original Key | Notes |
1 | Overture | Y | 0:35 | ~ | |
2 | Welcome To The Renaissance | 4:49 | Am | ||
2A | Welcome To The Renaissance playoff | 0:32 | C | ||
3 | God I Hate Shakespeare | 2:43 | E | ||
3A | God I Hate Shakespeare playoff | Y | 0:36 | ~ | Split into 2 tracks to allow for dialogue break |
3B | Nick And Bea's Flat | Y | 0:18 | ~ | |
4 | Right Hand Man | 2:44 | Db | ||
4A | God I Hate Shakespeare reprise | 1:54 | E | ||
5 | A Musical | 8:07 | Bb | ||
5A | A Musical tag | 0:26 | Bb | ||
5B | Brother Jeremiah | Y | 0:25 | ~ | To be cut off on cue |
5C | Portia and Nigel Meet | Y | 0:35 | ~ | |
6 | The Black Death | 1:23 | E | ||
6A | Black Death instrumental | Y | 0:17 | ~ | |
7 | I Love The Way | 2:47 | G | ||
8 | Will Power | 4:59 | F#m | Drum stick added to cue start | |
8A | Will Power playoff | Y | 0:19 | ~ | To be cut off on cue |
9 | Shakespeare's After-Party | 0:54 | D | Split into 2 tracks to allow for dialogue break. Bell note added to cue in vocal on 2nd part | |
9A | Shakespeare incidental | Y | 0:35 | ~ | |
10 | Bottom's Gonna Be on Top | 4:45 | C | Split into 3 tracks to allow for acapella breaks | |
11/11A/12 | Entr'acte / Welcome To The Renaissance reprise / Hard To Be The Bard | 5:38 | C | 11, 11A and 12 as one track | |
12A | Hard To Be The Bard playoff | Y | 0:20 | ~ | |
13 | It's Eggs | 0:34 | ~ | ||
13A | Portia incidental | Y | 0:19 | ~ | |
14 | We See The Light | 4:05 | Bb | ||
14A | We See The Light playoff | 0:16 | C | ||
14B | Portia & Nigel Kiss | Y | 0:11 | ~ | |
15 | Nigel's Theme | 1:31 | E | ||
16 | To Thine Own Self Be True | 1:33 | F | No track for acapella section ending | |
16A | To Thine Own Self Be True part 2 | 0:46 | F | ||
16B | To Thine Own Self Be True playoff | Y | 0:21 | ~ | |
16C | Right Hand Man reprise | 1:23 | Db | ||
17 | Something Rotten | 0:44 | Em | Split into 2 tracks to allow for short tap break | |
17A/18 | Intro to Omelette / Make An Omelette | 5:29 | A | 17A & 18 as one track | |
18A/18B | After Omelette / Into The Courtroom | Y | 0:34 | ~ | 18A & 18B as one track |
19 | To Thine Own Self reprise | 1:48 | D | ||
19A | Shakespeare In Court | 0:16 | D | Split into 2 tracks to allow for dialogue break. Bell note added to cue vocal both times | |
20 | Welcome To America | 2:31 | E | ||
21 | Bows | Y | 1:31 | ~ | |
22 | Exit Music | Y | 2:10 | ~ |
We can tailor most of our tracks in a variety of ways to suit your requirements.
TYPE OF EDIT | DESCRIPTION | FEE |
Cuts | Removing bars (measures) to reduce the overall length of the track | FREE |
Repeats | Repeats of bars (measures) to increase the overall length of the track | FREE |
Change of key | Changing of key, higher or lower, to suit | FREE |
Removal of instruments | Remove any instruments from the track as required | FREE |
WAV format (full track) | Production of an existing track in WAV format | FREE |
Multi-tracks (stems) | Splitting an existing track into multiple single or group of instruments - can be provided in either MP3 or WAV format. This is useful if you wish to re-mix a track yourself | £30 per title |
Tempo change | Altering the tempo of a track to suit your requirements | FREE |
To request any of these editing services, please email us with your requirements.
DIGITAL DOWNLOAD
Tracks are made available to download in 320bit MP3 format. You will receive download instructions in your order confirmation e-mail.
Download links will be available in Your Account - Purchased Downloads, which will also show you the status of any keys awaiting production that you have ordered.
If you find the key you have ordered is unsuitable, simply re-order the track in a different key for free. This service is available on the majority of titles, except those where the keys are shown as not available on the product detail page.